Nancy Friedemann-Sánchez

Nancy Friedemann-Sánchez

  • ABOUT
  • CV
  • MESTIZA DOS VECES: A VISUAL NOVEL
  • Collaboration with Farid Matuk
  • Artesanías de Colombia Collaboration
  • Chapter 8: ¡Mamita la Mestiza me Llama!
  • Chapter 7: Panopticon, A Collaborative Chapter with Charley Friedman
  • Chapter 6: Casta Paintings
  • Chapter 5: River
  • Chapter 4: Cornucopia
  • Chapter 3: Travelers & Settlers
  • Chapter 2: Deluge
  • Chapter 1: New Taxonomies
  • Prologue
  • Footnotes
  • EXHIBITION & INSTALLATION VIEWS
    • Pinturas de Casta and the Construction of American Identity, Halsey Institute for Contemporary Art, 2022
    • Studio Visit, Elder Gallery, Wesleyan University, 2022
    • Casta Paintings, Utah Museum of Contemporary Art, 2019
    • Palimpsests, University of South Dakota, 2019
    • SUNY Stony Brook, two-person show with Charley Friedman, 2018
    • Monarchs, The Bemis Center for Contemporary Arts, 2017-2018
    • Chapter 5: River, The Union for Contemporary Art, 2017
    • Travelers and Settlers, Black & White Gallery, 2016
    • Travelers, Project Project Gallery, 2016
    • Realty/Reality, two-person show with Charley Friedman, 2014
    • Bernice Steinbaum Gallery 2010
    • Collette Blanchard Gallery 2009
  • Nebraska's Fauna & Flora: Other Histories. University of Nebraska - Lincoln. Translations and Texts by Thomas Gannon
  • Duncan Aviation
  • Instituto Caro y Cuervo
  • Celebrity Cruises/International Corporate Art
  • Women's Center for Advancement
  • PORTFOLIO ARCHIVE
    • Word Drawings
    • Lace Drawings
    • Black Drawings
  • Statement In Spanish
  • Statement In English
  • PRESS
  • CONTACT
Chapter 1
2013-2014
mixed
varies

Chapter 1: New Taxonomies


Chapter 1 is a new beginning brought on by migration. Upon moving to Nebraska, I found myself focusing on my memories of Colombia more and more, while also beginning to take stock of my new environment. I began making a taxonomic inventory of not only the world around me, but the artistic techniques at my disposal. This chapter enmeshes the imagery of Colombian indigenous works, historic lace, and animal depictions from Colonial documentation, crafting an environment where multiple cultures co-exist.

Copyright © Nancy Friedemann, 2020